
The blaring horn section drives God Bless Satan. Sometimes bright and playful, other times dark and ominous, the horns take on the melodic duties on the bulk of the album. "Bad John" opens with the archetypical ska revival upbeat intro, punctuating riffs, and solos while a minor tonality melody slowly builds up the brooding "Hard Times." The articulated lines of "Doomsday" conjure up images of a demonic reveille calling the dead to rise and juxtapose the bouncy Latin dance vibe of "Saba." While always tight and driving, the horns usually fall back on playing in unison. While this doesn't really detract from the overall quality of the album, a more layered approach could improve most tracks.
You don’t need to be a fan ska revival or Beelzebub to enjoy Mephiskapeheles. Anyone who enjoys upbeat, high energy dance music (and who has no qualms with outright satanism) should give God Bless Satan a shot. It’s loaded with fast, fun, and occasionally funny tracks. Fans of the genre, especially, should tune in because God Bless Satan offers a hectic pace and tight melodies that put most other ska albums to shame.
No comments:
Post a Comment